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The in-crowd isn’t composed of jocks or meatheads, but of environmentally conscious, Ivy League-bound students. From then on, it’s one outrageous, gut-busting sequence after another.Īs Morton and Greg bumble their way to busting the synthetic-drug trade at a local school, they discover that youth culture has changed dramatically since The Chevy Chase Show went off the air. Flash forward a few years, and they’re best friends, fresh out of police academy.Īfter their horrendously botched efforts at parks patrol, their chief transfers them to the eponymous street to work undercover. Greg (a never-better Channing Tatum) was a bully and a popular numskull. Back in the ’90s, Morton (played by the-ahem- Oscar-nominated Jonah Hill) was a sexless, metal-mouthed outcast at his high school. The new 21 Jump Street moves the focus to rookie-cop duo Morton Schmidt and Greg Jenko.
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The big-screen version succeeds precisely because it ditches any trace of late-’80s nostalgia and reinvents the series with different characters and a completely different style. It’s just that a reboot of a show so thoroughly enshrined by its cult following seems inherently unnecessary. There’s nothing wrong with the original series it truly was a hip, socially aware police procedural for disaffected Generation X-ers. It’s also known for launching the career of Johnny Depp. The series revolved around a multicultural squad of twentysomething officers who went undercover at high schools and youth hangouts to investigate drug trafficking and hate crimes.
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You psyched?” the natural response would have been, “I’d rather watch molasses bake on a hot sidewalk.”įor the uninitiated: The movie is an adaptation of the identically named crime drama that aired on Fox between 19. A year ago, if somebody had walked up to you and said, “Yo, dawg, they’re remaking 21 Jump Street. For starters, the fact that it is good is in itself a minor miracle. A stunning indictment of the age we live in.īut seriously, 21 Jump Street actually is impressive in a surprising number of ways. The perp-in shock-frantically attempts to pick his derelict dong off the ground, using only his teeth.Įnthralling cinema. Meanwhile, a penis lies disengaged on the pavement, looking like a rumpled, dehydrated old sausage. The buddy-cops cuff him, taunt him, happy-dance around him, and boisterously read him his Miranda rights. He squeezes the trigger and blasts a hole right through the man’s dick. One of the cops takes careful aim, stiffens his posture, and drops a punchy catchphrase for justice: In an act of desperation, the criminal presses his pistol to the temple of a hostage. It took a messy, protracted car chase through the streets of LA-and a yachtload of ammo and stunts-to do it, but they got their man dead to rights. There’s a scene in this film where decades of moviemaking magic-from Balked at the Altarto Pocket Monsters: Mewtwo’s Counterattack-crystallize into one dynamic, surefire gag: Two undercover narcotics officers finally corner a drug-dealing madman.
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